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THE HISTORY OF THE CALIFORNIA ART CLUB
The California Art Club (CAC) was established in 1909 by the early California
Impressionists or Plein Air Painters, and was developed from the Painter's
Club of Los Angeles, which was founded in 1906 as an informal group of
male artists. A significant impetus that helped form the California Art
Club was the objective to allow women artists to participate in group
exhibitions and in fellowship. Instrumental in the founding of the
CAC were the artists, Franz Bischoff (1864-1929), Carl Oscar Borg (1879-1947),
Hanson Puthuff (1875-1972) and William Wendt (1865-1946) , whose wife
Julia Bracken Wendt (1871-1942) was a sculptor of high merit.
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William Wendt
(1865 - 1946)
2nd (1911-1914) and 4th (1917-1918) CAC President
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Under the leadership of William Wendt, who served as president
for six years, the California Art Club quickly became a powerful and prestigious
institution that was recognized as a cultural authority on the west coast.
The Club's membership included such luminaries as Edgar Payne (1883-1947),
Granville Redmond (1871-1935), Guy Rose (1867-1925), Jack Wilkinson Smith
(1873-1949) and Marion Wachtel (1876-1954) . With the success of
the CAC's quality group exhibitions, the supporting "Patron"
membership grew to include many of southern California's leading citizens.
Among the Patron members was Aline Barnsdall who in 1926 gave her
home, Hollyhock House, designed by Frank Lloyd Wright, to the California
Art Club as their headquarters for a fifteen-year term. However,
after the 1929 stock market crash, World War II, and the onset of international
modernism, the Club's status and membership declined, and in 1942, the
CAC had to give their prestigious headquarters to the City of Los Angeles.
Astonishingly, the California Art Club did not completely perish
over the years, but was able to continue as a small group of professional
artists and amateur painters.
In 1993 artist Peter Adams was asked by Patron member Verna Gunther to
help revive the California Art Club. Together with his wife, Elaine Adams,
their vision to restore "traditional" art to a high standard
became realized as they implemented their revival plan. With the
help of fellow artists Dan Goozeé, Steve Huston, Stephen Mirich,
Daniel W. Pinkham, Tim Solliday and William Stout, they recruited top
artists from northern to southern California. Prestigious artists
residing outside California were also invited to join as "Out-of-State
Artist" members.
California Art Club president Peter Adams states, "A major tenet
of the California Art Club is to look to our heritage for inspiration
and guidance brought through the knowledge of artistic techniques nearly
forgotten. The intention of the California Art Club is to encourage
the education and continuation of fine traditional art by inviting the
public to witness the evolution of our artists' new timeless creations." Adams
continues, "Traditional art is now the new avant garde."
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